Thursday, May 10, 2012

Mis raíces


When the heart wears a flag
And the body is anchored to another land.
When your hands scream for your homeland
And your feet stand in unfamiliar land.

When you dream of the sea, our sea
And your eyes witness another reality.
When your lungs desire earthy air
And they are filled with grume of the city.

My soul sings La Borinqueña,
My feet dance a salsa,
My hands mark the time of the music,
Mis raices make their entry
And it is because Puerto Rico calls me.





 

Inspired by the life of Judith Ortiz Cofer
By: Amanda Dee Moreno Hernández


Forbidden to Forget


“It is a dangerous thing to forget”, these are the words chosen by Judith Ortiz Cofer in 1987 to begin her poem “El Olvido”. Judith Ortiz Cofer is a Puerto Rican writer born in Hormigueros in 1952. Her father had a military career; this made her go back and forth between Puerto Rico and the United States. Therefore we can infer she has a mixed culture childhood, which later on is reflected in her writing. Ortiz Cofer is best known for her works of creative nonfiction; she began her writing career with poetry, which she feels “contains the essence of language.” (Poetry Foundation) It is said that Oritz Cofer’s work contains a mix of her cultural heritage and we can see this clearly in her poem, “El Olvido”. In her poem “El Olvido” Ortiz Cofer takes a usual problem and gives to it a touch of our Puerto Rican culture.

El Olvido
By Judith Ortiz Cofer

It is a dangerous thing
to forget the climate of your birthplace,
to choke out the voices of dead relatives
when in dreams they call you
by your secret name.
It is dangerous
to spurn the clothes you were born to wear
for the sake of fashion; dangerous
to use weapons and sharp instruments
you are not familiar with; dangerous
to disdain the plaster saints
before which your mother kneels
praying with embarrassing fervor
that you survive in the place you have chosen to live:
a bare, cold room with no pictures on the walls,
a forgetting place where she fears you will die
of loneliness and exposure.
Jesús, María, y José, she says,
el ovido is a dangerous thing. 

Let’s take “El Olvido” part by part. “It is a dangerous thing to forget” it is clear from the beginning what the theme of this poem is, forgetting, throughout the poem she expresses what is so dangerous to forget. “It is a dangerous thing to forget the climate of your birthplace”, dangerous it is to forget where we come from, where and how we were born. It is not just a matter of what country we were born, but from what mother and in what family were you born. Surely it influences the place of your birth, but the place where we were born and from who and how we were born should be equally important and should not be forgotten. “It is dangerous to spurn the clothes you were born to wear”. It is dangerous to change how you are because of stereotypes of society. I honestly believe it should be forbidden to change who we are and how we dress, talk, walk, eat, and dream because of fashion, society, and other sources of influences. “Dangerous to disdain the plaster saints before which your mother kneels praying with embarrassing fervor that you survive in the place you have chosen to live”, it is not forbidden to grow and move on, but you should not forget the things you left behind. We should not forget the hands that changed our diapers and healed our knees when we fell. Yes, it is our duty to prosper and walk away from our birth place in order to grow and become adults, but in that path forgetting how you got to where you are standing is not part of it. “Jesús, María, y José”, she says, “el ovido is a dangerous thing.” It is wise to forgive but not to forget, that is how I see it. We should forgive the harms the past brought to us, but we should never forget the past.

This poem spoke to me because as a college student I am in that transition, learning to grow without forgetting. I am learning to forgive and heal those bruises of the past without forgetting who I am, from where I am and especially how I got to where I am right now. I am Amanda Dee Moreno Hernández, daughter of Shylla Dee Hernández and Andres Mejia. I am a spoiled kid and a daddy’s little girl; still I am a young independent adult. Yes, I get lost in this so called life and it is remembering how I got there that I get back on track. I promise to not forget the tires I made my mother drop in order to make her smile in the future. I promise to multiply the laughs I had shared with my dad. I promise to forgive those that in the past made wounds to my heart. I promise to take what my mother and fathers thought me and teach it to those around me. I promise to remember and not to forget. Are you willing to remember instead of forgetting?

La Mancha



Three red stripes,
Two white stripes,
One blue triangle,
And a white star.

 The shadow of a mango tree,
Three sugar canes,
A story of “María  Sabída”,
And summer’s afternoon.

A café con leche,
A prayer to the saints,
One Sunday in church,
And a family fiesta.

This is “la mancha” that I carry
La mancha” that my homeland gave me,
Even if I lived in the moon, even there,
La mancha” would still be with me.


Inspired by the live of Judith Ortiz Cofer
 By: Amanda Dee Moreno Hernández

Summer’s Afternoon: A Puzzle Named Childhood


Identity is what defines us and makes us unique. According to the Webster Dictionary identity is the distinguishing character or personality of an individual. Our identity will establish the difference upon those who surround us. Our childhood is the first step in developing our identity. “Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.”  (Oscar Wilde) Those who carry the thoughts and ideas of another have not been able to acquire their identity. One of the reasons why this happens is because those who carry the thoughts and ideas of other people have not tried to put to together the puzzle of their own childhood.  Judith Ortiz Cofer defines her identity by putting together the puzzle of her childhood within her book Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood. In her book Silent Dancing, Ortiz Cofer makes a compilation of her childhood memories which she calls her summer’s afternoon. Chapter by chapter she exposes one memory at a time and ends it with a poem. When we take each event and put it together we have a series of events that marked her life and forged her path to a true identity. 

One way or another, the events that take place in our childhood will influence the decisions we make in our future. Even when we do not see this directly the decisions we make are the product of our childhood and this affects our identity. For example, Judith Ortiz Cofer was exposed to two cultures throughout her childhood, today basically all her work is about her identity and her culture mixture. “An identity would seem to be arrived at by the way in which the person faces and uses his experience” (James Baldwin).  When we manage to identify what has marked us in the past, we can use this knowledge to define who we are and obtain our identity. Exploring our past is a dangerous road for which we need a vast amount of courage. Our past is not always a fairy tale waiting for us to read it but, having the courage to read may give us the key to unlock the door towards who we really are.
Another fact that defines our identity is the environment to which we have been exposed throughout our lives. Once again let us take Judith Ortiz Cofer’s childhood for example. Ortiz Cofer came back and forth between Hormigueros, Puerto Rico and Paterson, New Jersey. In Hormigueros she was surrounded by family and having the liberty to explore what was around her. In Hormigueros, Puerto Rico she was free. On the other hand in Paterson, Judith had different rules, she was not allowed to explore or ask too many questions. She was meant to follow orders and try to fit into a world in which she did not belong.  This is shown in her identity and she reflects it in her work. Ortiz Cofer constantly compares the difference between living in Puerto Rico and living in the United States of America. On the island she was the normal girl with a Mamá that had a cuento for every lesson she wanted to teach her children, in the United States she carried la mancha; she was not equal to those that surrounded her. This exposure to two complete different atmospheres plays an important role in her identity.

It is when we complete the puzzle of our childhood that we are capable of acquiring an identity. Judith took her time to put her own puzzle together and by doing so she defined who she is today. We are not capable of knowing what we really want and desire in life if we do not know our selves truly. Those who do not know their selves make decisions based on what others want and they let others take control of their lives. When you are sure and clear of who you are and what you want, your identity will lead you through the right path. I invite you to find the courage of exploring your past, finding the key that unlocks your identity and becoming a free person. Identify your summer’s afternoons and complete the puzzle of your childhood so you may find your own path to a true identity.